Centrifuze Audio Samples

Here we invite you listen to a variety of Centrifuze sound samples. You can either scroll down and select each sample category as you wish, or click on the link below to go through all the sample pages, one by one.

Please take note that these pages contain fairly large sound files and may take a while to load in your browser!

This page contains different eight Centrifuze treatments on the same original untreated sample: Vibrato, Chorus, Tremolo, Wave Flange, "Flan Jello", Amplitude Envelope Flange, Slapback Echo, and Infinite Echo, each sync'd to the Pro Tools MIDI beat clock, tempo markers, and meter markers.

Centrifuze effects transitions fall into two major categories:

• Controlled delay changes (using the Mach control - which governs the rate of delay change - at low settings) producing transitions from discrete echoes to modulation effects (and vice versa).

• Transitioning from amp mod to delay mod (and vice versa) using the same LFO (low frequency oscillator) with adjustable relative phase settings, to match the two mods' transitions' peaks and valleys as you wish

Here we let you hear the range of depth of amp mod and delay mod so you will know whether it will meet the needs of your projects.

Here are some samples where we flip the feedback polarity switch, reverse the frequency relationship on a Flan Jello, and chain Centrifuze instances together on a single track to get some really strange, rich, and complex effects.

Centrifuze has a 10 second delay pipeline that can be tapped anywhere along its length. Furthermore, the rate at which the tap point slides along its length can also be regulated with the Mach control. So here we demonstrate delay transitioning with Mach settings near the speed of sound to show you how you can do short run time dilations/contractions that would make Einstein proud!

When used as "multi-mono" plug-in, Centrifuze is great at taking a mono signal and morphing it into a stereo one. Pan modulation is one example, where the sound undulates in volume between the L and R channels using a tremolo effect with L and R channels 180 degrees out of phase from each other. Wave flange with the L and R channels playing off the same LFO, but with a non-zero relative phase between them, is another example.